The good is oft interred with their bones I come to bury Caesar, not to praise him. Mischief, thou art afoot, / Take thou what course thou wilt!"įriends, Romans, countrymen, lend me your ears He ends his speech with a dramatic flourish: "Here was a Caesar, when comes such another?", at which point the crowd begins to riot and search out the assassins with the intention of killing them.Īntony then utters to himself: "Now let it work. that should move / The stones of Rome to rise and mutiny").Īfter that, Antony deals his final blow by revealing Caesar's will, in which "To every Roman citizen he gives, / To every several man, seventy-five drachmas" as well as land, to the crowd. He claims that if he were as eloquent as Brutus, he could give a voice to each of Caesar's wounds (". In response to the passion of the crowd, Antony denies that he is trying to agitate them ("I come not, friends, to steal away your hearts"), and he contrasts Brutus, "an orator", with himself, "a plain, blunt man", implying that Brutus has manipulated them through deceitful rhetoric. Instead of reading the will immediately, however, he focuses the crowd's attention on Caesar's body, pointing out his wounds and stressing the conspirators' betrayal of a man who trusted them, in particular the betrayal of Brutus ("Judge, O you gods, how dearly Caesar loved him!"). The crowd, increasingly agitated, calls the conspirators "traitors" and demands that Antony read out the will. Antony tells the crowd to "have patience" and expresses his feeling that he will "wrong the honourable men / Whose daggers have stabb'd Caesar" if he is to read the will. As he does this, the crowd begins to turn against the conspirators.Īntony then teases the crowd with Caesar's will, which they beg him to read, but he refuses. He denies that Caesar wanted to make himself king, for there were many who witnessed the latter's denying the crown three times.Īs Antony reflects on Caesar's death and the injustice that nobody will be blamed for it, he becomes overwhelmed with emotion and deliberately pauses ("My heart is in the coffin there with Caesar, / And I must pause till it come back to me"). He begins by carefully rebutting the notion that his friend, Caesar, deserved to die because he was ambitious, instead claiming that his actions were for the good of the Roman people, whom he cared for deeply ("When that the poor have cried, Caesar hath wept: / Ambition should be made of sterner stuff"). Throughout his speech, Antony calls the conspirators "honourable men" – his implied sarcasm becoming increasingly obvious. Summary Īntony has been allowed by Brutus and the other conspirators to make a funeral oration for Caesar on condition that he will not blame them for Caesar's death however, while Antony's speech outwardly begins by justifying the actions of Brutus and the assassins, Antony uses rhetoric and genuine reminders to ultimately portray Caesar in such a positive light that the crowd is enraged against the conspirators. Occurring in Act III, scene II, it is one of the most famous lines in all of Shakespeare's works. " Friends, Romans, countrymen, lend me your ears" is the first line of a speech by Mark Antony in the play Julius Caesar, by William Shakespeare. His whole speech is filled with rhetorical devices that encourage the listeners to be on his side."Friends, Romans": Orson Welles' Broadway production of Caesar (1937), a modern-dress production that evoked comparison to contemporary Fascist Italy and Nazi Germany The character is inviting those around him to listen to him. – LA Times Summaryįriends, Romans, countrymen, lend me your ears is a famous line from a speech in the play Julius Caesar. That’s right, the grand poo-bahs of the National Football League are destroying a sacred tradition: They are dropping the Roman numeral designation from Super Bowl 50, which should be Super Bowl L but won’t be. The second example is about Roman numerals and football.įriends, Romans, countrymen, lend me your ears: The NFL has gone too far this time. Then come the speeches designed to further sway the will of the people, with Brutus making his case for the murder being in defense of Rome, and that golden boy, Mark Antony (with Kelly restrained but eloquent in his long oration that begins with “Friends, Romans, countrymen, lend me your ears”), ultimately turning public opinion against the assassins by reminding them of all Caesar did for them, including leaving a distribution of money to each citizen in his will. Zhongyi: Why not? It’s still wildly famous. I’m not sure I can use that one though, since it’s from a play and not real life. Do you know the one about friends, Romans, countrymen, lend me your ears? Zhongyi: You should also use the one from Julius Caesar. I guess I could use the one from Abraham Lincoln. Hanh: I am supposed to find five of the most famous speeches and analyze them in an essay.
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